Galneda's art Reviews on Newgrounds

[DeathInk 2099]

That's fuckin' awesome!

deathink responds:

thanks man

[OGGMON]

Surprisingly creepy.

Nicely done!

[Swampmaiden]

Looks fantastic! The detailing all over the creature's face is a marvel to behold...though I'm sure it was an intense, time-consuming undertaking, I kinda wish the same level of detail was continued to the comparatively bare forearms...

Even if it wasn't necessarily pores and wrinkles, creases...the contrast is evident. But, shit, there's no way that deducts on this artwork's score in the slightest. The overall color scheme is wonderful, I love big elements like the flowers, to little details like the necklace. I even enjoy the texture on the background.

This deserves its status as a front-page feature! Great job, keep up the fantastic work!

Jaona responds:

Thank you!

[Megaman]

Honestly, I liked it better without the laser pointers dotting him.

The two burn holes on his breast plate were sufficient in adding that grit, but the extra ones spotted here and there and on the helmet just makes it seem he's going after some needle-thin threat.

The edit/changes aside, though, this is fantastic art. The smokey orange to the left compliments well with the Blue Bomber. I LOVE the particle effects of the charging Megabuster. The metallic detailing and subtle knicks and scratches are AWESOME on the armor. The rubbery abdomen was a great touch.

The face must've been really fucking challenging.

I never quite understood the Japanese tendency to make (Rockman) sound more like (RockBOY)...I get the human that was turned into Mega Man was really young, but were they too scared he might be paralleled to Astro Boy or something? With Mega Man X, he's all grown up. Longer proportions, and to my bewilderment as a kid playing the next tier X games, he's voiced by a girl sounding like a child again.

Whatever Japan. Do your thing.... but I guess the artistic direction based on the character always aimed to make him appear youthful as well, beneath the helm.

What you've done here is the PERFECT, Non-Anime execution of his face. Every non-anime interpretation of MegaMan that I've ever seen up to this point just looks disgusting or wrong. This retains that Japanese, almost baby-face quality, and yet, somehow pulls it off with such grace, it retains grit, and it embraces badassery.

Is it the lighting? Is it simple details like the human blood coming out of the cut (though X was a Reploid). Is it the facial expression? Is it the masterful lighting, combined with the Megabuster and an overhead lightsource making sure the top of his eyes are shadowed?

Probably all. But Jesus Christ, man, mad props. Full Vote of 5.

(I still think the added laser pointers are a bit overkill.)

[Random concept 2]

Wow. The foreground is efficient in simplicity and....that sky...that BACKDROP.... Just "Wow."

[Hunter Space Fighter]

That looks fun to fly! Kudos on keeping everything proportionate, symmetrical, and overall looking great!

Since the metal plating shade of grey is kinda trying to blend with the grey fuselage of the fighter, it would be a good idea to make the background either a black tarmac kind of look (so the machine pops out more) or to give the fighter a paint job for the same effect.

In a futuristic setting of stealth-defeating detection, I'm sure blending in to the blackness of space is the last of their worries. :P

The 3-Dimensional attention to detail all over the Thermal Radiators are really eye-grabbing, and I'm loving the plausible details all around the cockpit. Like the Rescue release latch, the cut of certain panels, it all looks great.

The idea of the Omnidirectional Engine Pods on the very tip of these slender Predator / Reaper Drone looking wings raises concern of the payload capacity of the wings. They're long and slender, and I'm sure they're made of intense materials. SPACE materials, even...but its really the only detail in the design that I'm curious about.

Granted, in an animation, it would frantic and awesome as it's doing spins and maneuvers, absolutely TESTING the wing's ability to not snap off...and then it needs to abruptly pitch down, so the pilot is blinded by a pillar of fire shooting upward right in front of his line of sight...hope it's not leaking fuel, or catches on fire, because now the pilot is terminally IFR for the rest of the mission.

Also, there's an additional set of wings or kind of "fins" that are in between the Thermal Radiators and the cockpit. They're prominently featured in the top view, I think I can see where they end, aligned with the rear "X-wing" stabilizers, but on the side view...I suppose they're mostly hidden behind the top OmniDirectional Pod, but they don't seem to lend any significant stability to the design. If they were shaped to look more like a long-range comm or sensor array, that would lend strength to the design, in my opinion... wings have no function in space but a surface. There's no airflow, and no real need to generate lift. It's got plenty of thrust to compensate for that! :D

Great design! Reminds me of many a cool sci-fi. Can't wait to see it animated!

Nanashi responds:

What a thoughtful and comprehensive critique. Thanks!

In response, I'll try to address some of your concerns.
First, the engine pods. The idea is to move the thrusting units as far away from the center as possible in order to gain a mechanical advantage over moving the ship in zero gravity. You'll notice that the 'wings' or engine booms are actually quite thick compared to an aircraft wing, as they have no aerodynamic needs. To add to your concerns though, you should also know that the wings hinge back 90 degrees for storage, so the structural challenges in this area are vast for sure.

The rapid pitch thrusters are a serious design flaw that I chose to leave as is. Without going into too much detail, these fighters are generation two, but are still the result of a VERY rapid development cycle with very little testing (The colonies needed some sort of defense craft while capitol class ships are being built). Additionally, these thrusters are actually high-energy ion engines, which emit very little visible light when operational. Fire is a non issue, as the cockpit is the only pressurized and oxygenated location, and the engines use an electrical fuel source.

The craft is actually designed to undergo some basic atmospheric flight to facilitate emergency landings, so you'll notice the wingletts actually do have flaperons. The computer controls all flight surfaces during atmospheric flight because of the crafts inherent instability (much like a B2).

Finally, I'm kinda torn on how I want the craft 'painted.' I feel the somewhat boring grey lends to the fact that the craft is rapidly developed (You'll be happier with the MkIII in this area).

You're welcome to PM me if you feel a need to respond to any of the above, and again, thanks for the thoughtful feedback. Though I have responded to most of it, I am not ignoring the concerns you've raised.

[sniper in the night]

WOW! Cool cool cool! The shading on the character is pro! The RAIN looks fantastic! Maybe they go a little too persistent, in-a-row, those rain lines that are 8-in-a-row over the rock in the pond? But they look fantastic, the rain drops....and hell, I'm impressed that you actually found a TASTEFUL usage of the Lens Flare. I've never seen that effect done with the lens flare, and of course it would be as simple as just tuning down the opacity.

You are RAPIDLY growing as an artist! If you carried on the same density of the shadows into the background and among the foliage and even some of the lake, this would be PERFECT. While I understand the creative decision to hide most of the animal carcass, I kind want to see more of it...y'know...challenge yourself with animal anatomy. lol

I'm so stoked for you, I can't wait to see what you do next! Keep that momentum rolling and kick some ass, dude!

justice511 responds:

thank you :') i didnt know too much on how todo the rain but studyed for like an hour and i guess it payed off :) i just love your reviews they are the reason i improve :)

[A skull]

Strong, great composition on where everything is laid out. You got a great feel for the "Rule of Thirds."

It leads the eye. The skull is dominant in the frame because the eye is lead almost DIRECTLY to the bleached skull amid all of these vibrant water colors. What immediately becomes apparent is the misshapened top of the skull. In my personal opinion, I think the skull would work better if it were more rounded off.

What happens instead is, from the stage-right eye, it goes straight up (like it should) but keeps going and then it elbows in a sort of acute angle to flatten out the top. To take into consideration the black line that outside of the stage-left eye, running up and detailing the temple, provides dimensions on where the front of the face begins and ends, it makes it appear that this particular skull has a nob at a high, frontal part of its skull...and it just looks weird.

With the proportions that you've given us with the eyes, nose, mouth and chin of the skull...it IS BELIEVABLE that the top of the skull could END at that point, where it elbows out, creating the nob...what I think is making it look askew is the angle that's creating the top of the skull, facing the left of the frame...makes it look like he's got a flat head!

You'll note that there's a thin line of purple, from the background, that runs along the top of that surface I'm talking about. I'm willing to wager that if you filled in all of that white, and extended the skulls cranial dimensions out to the two distant tree things in the background? The lower tree would be completely consumed, and as long as the top of the skull is slightly curved, that would look a little more correct.

To counter that! That skull's face is goddamned impressive. To the missing teeth on the side...it provides details that hint at a greater story, and I'm an avid fan to those kinds of details because it's stimulating to the imagination.

The water colors themselves help add to the mood. I'm not exactly a fan of the line of orange on the left side though...it doesn't do anything for me personally, and there's not enough of it to really be bothered with....that whole thing of orange could've easily just been more purple, and that would've been fine. You would have had a consistent cool-color theme going on, and that could lend with the gloomy dark plantlife imagery, and the skull to help entice some grimmer moods.

Intentional or not, I particularly enjoy the hidden face within the blue water color. We can see her profile, facing right, nose inches away from the mid-right border, her eye right below the lowest major branch of the tree. Its a nice touch!

Finally there's the graphite trees. They lend a bit of necessary atmosphere to piece, but could use some expanding upon. For instance, we see no plantlife rooted, no real idea of horizon or background besides neat colors. Even if it were just a nice, brushy, horizontal line implying solid ground, that would've helped a bit....even if it didn't fully commit to the right border. (but, I guess if you did that, it would compromise the hidden face, so idk wtf I'm talkin' about)

You had the right idea for adding additional graphite scenery in the top left...but I begin to wonder what came first...the plants or the skulls? Or was it JUST graphite? Because I'm beginning to feel like as you were fleshing out the skull's dimensions, you cut it in a little short so you didn't compromise those top left background trees...hence the weird flat top, am I wrong?

Regardless, down to every detail, this is some COOL art, dude. In the future, take greater detail in the pre-composition concept stage. Make it so your filesize is larger, your palette larger, so you can stretch and breathe more detail into every piece. Make no mistake: this is STILL good...but its an even better platform to launch upon higher.

Voted 5! Keep up the awesome artwork man.

372 responds:

Thanks so much! The original design actually extended to the left and went from green, light green, yellow, orange, red, and then purple and blue with very dark brown strokes as trees overlayed in the color but I didn't like it and chopped it down to this. As for the shape of the skull, you're right it does make a rather odd shape. The skull came first then the trees and the watercolor
I appreciate the great reviews!